![]() ![]() “A lot of people with mansions have nice oak floors and don’t want to scratch or damage anything. In fact, Rosales keeps the scene of the fire, the basement, unrestored, the better to attract music videos. (Yes, houses have managers.) “Film companies like the house because it has nice details yet it looks rundown,” he says. Its cinematic opposite may be the Rosales house, seen in “True Romance,” “Bad Influence” and “Town & Country.” Richard Rosales bought the Greek Revival mansion in the historic West Adams district after a fire, and he now manages it. So, like an exquisite starlet, the Stahl house possesses matchless and pleasing features. “It just satisfies my creative juices to get great architecture into movies.” “You can shoot a McMansion anytime you want, and no one will remember it,” he says. area, this one makes the strongest visual statement. He says that of all the midcentury modern homes in the L.A. You can set up a shot with the pool in the foreground, and through the glass wall you can see right into the house.” “It’s an architectural masterpiece perched at the top of the Sunset Strip, looking out at a blanket of lights,” explains location manager John Panzarella, who used the Stahl home for the home of soap opera doctor Greg Kinnear in “Nurse Betty.” “The house is completely made of glass, so you have the opportunity to film the interior from the exterior. ![]() “But when they came up, it was a clear day, so they had to spray gunk on the windows to make it look like you were looking out at smog.” The 2,300-square-foot house has more recently appeared in “Nurse Betty,” “Why Do Fools Fall in Love,” “Galaxy Quest” and “The Marrying Man.” “They made a movie here in 1962 called ‘Smog,’ ” says Carlotta Stahl. Soon after the home was built, film companies were interested in its unique design and cliff-top fit. 22, a glass-walled miracle in the Hollywood Hills, designed by the noted architect Pierre Koenig in 1958 and memorialized by an evocative Julius Shulman photograph of two women sitting inside the house. Carlotta and Buck Stahl live in Case Study House No. And, as with actors, the houses’ repeated movie roles have to do with both tangible and ineffable factors, such as whether the house has the right floor plan to handle balletic camera moves, is in a film-friendly neighborhood or is able to pass for a home somewhere else in America. Some actors become stars, and some L.A.-area houses - this Wallace Neff is one - have their own kind of star status, appearing in a number of films, television shows, commercials and print ads. It wasn’t the first time this house had appeared on screen: It was seen in “Frances,” the 1982 film biography of actress Frances Farmer, and the Disney film “The Pest,” and it played the homes of Elizabeth Taylor and diet doctor Robert Atkins in television movies. “We wanted to show that she oozed class,” Hillman says, “so we picked this gated estate with fountains in front and grand windows into the living room.” When location manager Timothy Hillman needed a house that would make a statement about the Barbara Walters-type mother Jane Fonda portrays in the upcoming film “Monster-in-Law,” he settled on a majestic 1927 Wallace Neff home in Pasadena as the character’s home. ![]()
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